![]() ![]() Some more metal, this time from 00s metalcore heavyweights Killswitch Engage on their best form since 2006. This all comes together to make one of the best-referenced dance records of the decade you can see the passion for the genre that the duo portray here. The blend of electronic music as well echoes the work of Giorgio Moroder, who is rightly tributed in the spoken word track Giorgio By Moroder. Perhaps it shouldn’t be a surprise with Nile Rodgers taking such a role in some of the songwriting here, but Daft Punk, with Random Access Memories, managed to make a true blue disco record, almost 40 years after the fact. Random Access Memories – Daft Punk (2013) slowthai’s intentions here are indeed successful, as he turns his personal struggles into a loud, abrasive and thoughtful blend of rap-punk with a very British twist, and it makes for one of the better hip-hop albums of the past few years.ĩ6. ![]() NME Awards antics aside, the Northampton-grown extravagant punk who once called Theresa May a dickhead (SHOCK) actually turned out to have some very intelligent things to say here in his debut record, making “angry songs for a brighter future”. Nothing Great About Britain – slowthai (2019) Turns out, heavy metal and Christmas go hand-in-hand, and with modern classics like Frosty the Snowman making guitar-shredding appearances and ancient carol O Come, O Come, Emmanuel thrown in for good measure, it’s got everything you need for your present-wrapping turkey-stuffing crusades.ĩ7. Sleddin’ Hill – August Burns Red (2012)įrom everyone’s favourite bunch of Christian metalheads, this is about as fun a Christmas album as you’re ever gonna get. Coming in the form of biting assaults like Promises To Heal Divisions and Liberal To All, no one is safe from this critical wrath.ĩ8. Tackling the drudgery of explanation and not-being-left-to-be, the pained wails illustrate through dark humour and dry tirades the sheer monotony of everyday life. In a sheath of industrialised grooves and dissonant funk, this Scottish duo presents the trans experience for what it is endlessly frustrating. A throwback, perhaps, but a welcome one and, with the recording proficiency of today and the fantastic musicianship on offer here we get a refined, balanced and aptly LSD-hinged journey told through a mix of fuzzy guitar tones and floating vocals. Reigning from Tokyo, this group of former traveling musicians come professional long-haired hippies wield psyche-folk-rock that sounds like its come straight from 1966, and it’s a great time. ![]() With vinyl striking back with a vengeance and the internet opening us up to creative visions the world over, the album is here to stay here are its finest moments in the 2010s.ġ00. However, here we are, a whole ten years older and wider, and the LP is still kicking it, arguably stronger than ever. This decade was touted many times as the dying years for the album as a format, with charts and memes and singles and streaming being its assassin, apparently. ![]()
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